Review of 'Frida': Popular Mexican Painter Speaks for Herself in Documentary Drawn From Kahlo’s Diaries
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In the vast landscape of Frida Kahlo's cultural imprint,
from T-shirts to Hollywood films, Carla Gutiérrez embarks on the daring task of
crafting a documentary that breaks away from the mainstream, adopting a unique
approach to this iconic figure. Gutiérrez, primarily known as an editor, steps into
the directorial role, bringing her expertise from cutting nonfiction portraits
like "RGB" and "Chavela." In "Frida," she
succinctly narrates Kahlo's life and career, uniquely drawing from the artist's
own writings, including her illustrated diary.
Performed in Spanish, with Fernanda Echevarría del Rivero
voicing Frida, the documentary offers a first-person perspective, delivering
poignant insights mined directly from Kahlo's words. Echevarría captures
Kahlo's essence, infusing each sentence with precise intonation, providing a
convincing portrayal of the artist's personality. The documentary seamlessly
weaves archival footage, previously unseen, and digital recreations of Kahlo's
paintings featuring animated elements.
The film explores pivotal moments in Kahlo's life, from her
life-altering accident to her complex relationship with Diego Rivera, trips to
New York and Detroit, a heartbreaking miscarriage, and a passionate affair with
Leon Trotsky. Digital recreations of Kahlo's surrealist paintings, while
visually dynamic, add minimal enhancement, maintaining the authenticity of her
artistic expression.
The documentary delves into Kahlo's unfiltered persona,
portraying her as foul-mouthed, openly expressive about her desires, and
unapologetically boundless. Gutiérrez captures Kahlo's unwavering adoration for
her Mexican identity, despite challenging patriarchal norms prevalent in her
time.
A notable chapter in the film explores Kahlo's disdain for
wealthy intellectuals who sought to rationalize her work. After her divorce
from Rivera, Kahlo painted prolifically to support herself, exhibiting her art
in New York and Paris under André Breton's wing, whom she grew to detest.
Gutiérrez successfully brings emotional immediacy to Kahlo's critique of these
pompous figures.
While the documentary follows a familiar cradle-to-grave
structure, Gutiérrez's skillful editing maintains a cohesive and tight
narrative. "Frida" stands out as a visceral and comprehensive
overview of Kahlo's life and persona, offering a raw and refreshing portrayal
that may resonate even with those familiar with her trajectory. In the crowded
space of Kahlo's representation, Gutiérrez's documentary emerges as a
respectful and insightful contribution.